You can also shape, blend and sequence phrases with our phrase-legato, step sequencer, speed-control, and live waveform editing. Tempo-synching, time-stretching, and pitch transposition give you complete freedom to customize. The phrase presets feature a massive collection of live phrases, organized intuitively by root key. There are also a variety of wild bass SFX like chord staccatos, harmonic sustains, percussion, rolls, scrapes, and more. When combined with the Offset and Attack controls, you can carve out just about any dynamic shape you could ever need. We’ve included Crescendo, Decrescendo, Sforzando, Swell, and Swell Tremolo articulations. The Expressions allow real-time dynamically-aware release sample triggering, tempo-synching and time-stretching. The Short articulations include staccato p & F, spiccato p & F, pizzicato p & F, pizzicato F mute, col legno, bartok pizzicato, and more! Each short articulation provides 4 round-robin variations per note, making it easy to humanize your arrangements and find the perfect emotive expression for any musical moment. The Sustain articulations give you a plethora of sustain types with p, mf, F, tremolo p & F, sforzando, swell, flautando, and true legato. The master preset allow you to blend and switch effortlessly between sustains, a variety of shorts and naturally dynamic tempo-based expressions. The Master presets include a wide selection of articulations, each with their own range of customizable real-time performance options, key-switch and mapping options and performance tools. This library includes one epic Oktobass with Master and Phrases nki presets. Your creative options are endless with the Hyperion Solo Strings Oktobass! The mics can be blended in real-time, and the instrument can be freely positioned on our virtual stage, featuring a huge menu of our custom environments, so it's easy to mix into any arrangement you desire. It was recorded using a close pair of large-diaphragm mics at the F holes to achieve a dry and intimate sound, and a wide-spaced pair of omnis at 2 meters for a bright and vivid chamber quality. We worked with Giorgio Riolo and Daniele Bertinelli to capture the Octobass at Moneta's private gallery in Milan, Italy. The cavernous instrument body produces a surprisingly nuanced character, with intense stereo movement and subtle mechanical ornamentation. This 3.48 meter (11.5 ft) mammoth is played from a raised platform, using a row of mechanical levers to control the fingerboard. Moneta has gone on to play it in nearly 150 concerts around the world over the last 25 years, though it still remains one of only a handful in existence today. Then in 1996, double bass player Nicola Moneta, luthier Pierre Bohr and bow-maker Piero Cavalazzi constructed the first modern Octobass. The first Oktobass (also spelled “Octobass”) was built in 1849 by Jean Baptiste Vuillaume, but it drifted into legend by the end of the 1800s, lost but not forgotten for over a century. As part of our Hyperion symphonic series, it provides a suite of intuitive options, flexible tools and inspiring performance features, from intelligent arpeggiation and articulation switching, to flexible tempo-synching and sound-shaping DSP effects, all at your fingertips to make it easy to craft brilliantly life-like arrangements. You'll find a variety of sustains, shorts, dynamic expressions, true legato, creative effects and hundreds of aleatoric melodic phrases. ![]() We've sampled this bone-rattling beast to build a massive virtual instrument offering 30+ articulations and over 12GB of content. It is this focus on realism, combined with simplicity, that makes our libraries stand out from the crowd.The Oktobass is the deepest concert string instrument, with a thunderous, room-shaking growl. ![]() While auto-tuning is always an easy option, we opted instead to tune the entire library manually, by ear, rather than stick rigidly to perfect tuning. To do this, we left much of the natural performance of each instrument intact. Tuning: Throughout the entire production process of every library we create, great care has been taken to make sure the tuning of each instrument is as realistic as possible. We feel that it’s worth the effort this is a fundamental aspect of the library, and will not be changed. This requires practising playing your melodies slightly ahead of the beat, which will become natural after a short while. To achieve this, we incorporated a delay system, whereby each new note you play in a legato phrase will be delayed by up to around 1/4 of a second. Latency / Delay: All of the libraries in the Cinematic Studio Series have been designed to maximise realism, especially when playing legato.
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